Event Off Sale: Tickets no longer available
Wardell
Busy Living, Big Harp
Wed, February 6, 2013
Doors: 8:00 pm / Show: 9:00 pm
Bootleg Bar
$10.00
Off Sale
This event is 21 and over
http://www.foldsilverlake.com/event/196717/
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Wardell - (Set time: 10:00 PM)
Wardell (formerly Brother/Sister) is a band that was formed by one brother and one sister who met during a play date set up by their parents. One's black and one's white. They remain brother and sister. They make the kind of music you might expect from two people who grew up sharing a wall. After years spent writing songs back and forth between Providence to New York to Paris to New Haven, the two siblings have settled back in their hometown of Los Angeles, changed their name, and recruited a band of their closest friends.
Big Harp - (Set time: 9:00 PM)
Chris Senseney and Stefanie Drootin-Senseney (The Good Life, Bright Eyes, She & Him) formed Big Harp in December 2010, after a three-year whirlwind that saw the two meet, have a baby, move halfway across the country, get married, move halfway across the country again, and have another baby. When the dust settled, they holed up in Stefanie's parents' spare bedroom, practiced for a week, and recorded their debut album White Hat, a collection of dusty, low-key folk-rock laced with subtle irony and dark humor.
Understandably for a band that had only existed for a week before recording their first album, and had never played a show, their sound began to change almost immediately. They packed up the kids and hit the road, earning high praise for their surprisingly energetic live shows, where the intimate acoustic-based arrangements they'd recorded gave way to something increasingly complex, ragged and dirty.
In March, 2012, only six months after the release of their debut, Big Harp began working on their follow-up, Chain Letters, bringing in old friend John Voris to play drums. The album finds them moving away from the rustic, pastoral sound of their first album and towards a truer union of their L.A.-meets-isolated-cow-town backgrounds. Built on a foundation of crackling fuzz bass and angular electric guitars and keyboards, the songs on Chain Letters play like a series of character sketches with characters caught between escape and surrender, or poised at that edge where the two become indistinguishable.
Understandably for a band that had only existed for a week before recording their first album, and had never played a show, their sound began to change almost immediately. They packed up the kids and hit the road, earning high praise for their surprisingly energetic live shows, where the intimate acoustic-based arrangements they'd recorded gave way to something increasingly complex, ragged and dirty.
In March, 2012, only six months after the release of their debut, Big Harp began working on their follow-up, Chain Letters, bringing in old friend John Voris to play drums. The album finds them moving away from the rustic, pastoral sound of their first album and towards a truer union of their L.A.-meets-isolated-cow-town backgrounds. Built on a foundation of crackling fuzz bass and angular electric guitars and keyboards, the songs on Chain Letters play like a series of character sketches with characters caught between escape and surrender, or poised at that edge where the two become indistinguishable.
